History of Visual Effects

So after Arturo's blog showed us some of  Len  Lye's work I decided to search for other old visual effects.  I came across this video that shows the progression of visual effects from 1900 till today.  It is really interesting to see how far effects have come and to see that some techniques are still used today.

 The first movie shown is The Enchanted Drawing which was directed by J. Stuart Blackton.  It is just a video of an artist drawing a face and a bottle of wine and then he takes the wine and the man gets sad.  This seems like the most simplest idea, but I am sure if I had watched it back in 1900 I would have sworn it has witchcraft.  Even though today it would be basic it still took a lot of imagination to come up with an idea like that.

 

Motion Graphics Archeology

"One of my art teachers put me onto trying to find my own art theory. After many morning walks...an idea hit me that seemed like a complete revelation. It was to compose motion, just as musicians compose sound. The idea was to lead me far, far away from wanting to excel in...traditional art."

Len Lye (1901 - 1980) Painter, poet, sculptor, kinetic artist can be considered as one of the hundred great innovators of twentieth century art with artists such as Picasso, Duchamp and Brancusi.

He was one of the first artist to make films without a camera in the 1930's by drawing and scratching directly on celluloid and using Technicolor to extract patterns that expressed kinetic energy and feelings.

He once wrote: "There has never been a great film unless it was created in the spirit of the experimental film-maker. All great films contribute something original in manner or treatment".

He was born in Christchurch , New Zealand in 1901. You can see the influence that the art of the Maori, the indigenous people of New Zealand had on his early work. He studied the dance rituals of Polynesia and the Australian Aborigines and became involved with film-making which was an ideal medium to express his ideas about motion.

His first film, Tusalava, (London ,1929), was a semi-abstract animated film influenced not only by modernism, in particular the Futurists that were doing similar experiments but also by the art of Samoa, the Maori and the aboriginal people of Australia where he had spent several years in the early 1920's.

I have not found a copy of the film with the original soundtrack. Seems logical that he might have used some aboriginal sounds or rhythms from Maori but I also played it with a Django Reindhardt tune and it is a perfect sync! Django and Stéphane Grapelli were revolutionizing music at around that time so it just seemed appropriate. This type of semi abstract animation will probably synch with almost anything with a pattern, of course the soundtrack will change the feeling or interpretation. 

As you can see, motion graphics is nothing new!:-)

Look also:

Norman McLaren

Stan Brakhage

Oskar Fischinger

Harry Everett Smith

John Grierson

Welcome to Motion Graphics!

"One of my art teachers put me onto trying to find my own art theory. After many morning walks...an idea hit me that seemed like a complete revelation. It was to compose motion, just as musicians compose sound. The idea was to lead me far, far away from wanting to excel in...traditional art."

Len Lye (1901 - 1980) Painter, poet, sculptor, kinetic artist can be considered as one of the hundred great innovators of twentieth century art with artists such as Picasso, Duchamp and Brancusi.

He was one of the first artist to make films without a camera in the 1930's by drawing and scratching directly on celluloid and using Technicolor to extract patterns that expressed kinetic energy and feelings.

He once wrote: "There has never been a great film unless it was created in the spirit of the experimental film-maker. All great films contribute something original in manner or treatment".

He was born in Christchurch , New Zealand in 1901. You can see the influence that the art of the Maori, the indigenous people of New Zealand had on his early work. He studied the dance rituals of Polynesia and the Australian Aborigines and became involved with film-making which was an ideal medium to express his ideas about motion.

His first film, Tusalava, (London ,1929), was a semi-abstract animated film influenced not only by modernism, in particular the Futurists that were doing similar experiments but also by the art of Samoa, the Maori and the aboriginal people of Australia where he had spent several years in the early 1920's.

I have not found a copy of the film with the original soundtrack which I believe is a Django Reindhardt tune. In fact I have played the video along with this tune and it is a perfect sync!

As you can see, motion graphics is nothing new!:-)

Look also:

Norman McLaren

Stan Brakhage

Oskar Fischinger

Harry Everett Smith

John Grierson

Free Radicals

Here is another great piece by Len Lye, this time with sound. It is a mesmerizing piece, try to see the whole thing and you will know what I mean. At first it appears that it is just scribbles on a surface, but there is an interesting 3D effects as well as the scribbles seem to turn in space.

Turn the volume up!

Len Lye and the origins of Motion Graphics

"One of my art teachers put me onto trying to find my own art theory. After many morning walks...an idea hit me that seemed like a complete revelation. It was to compose motion, just as musicians compose sound. The idea was to lead me far, far away from wanting to excel in...traditional art."

Len Lye (1901 - 1980) Painter, poet, sculptor, kinetic artist can be considered as one of the hundred great innovators of twentieth century art with artists such as Picasso, Duchamp and Brancusi.

He was one of the first artist to make films without a camera in the 1930's by drawing and scratching directly on celluloid and using Technicolor to extract patterns that expressed kinetic energy and feelings.

He once wrote: "There has never been a great film unless it was created in the spirit of the experimental film-maker. All great films contribute something original in manner or treatment".

He was born in Christchurch , New Zealand in 1901. You can see the influence that the art of the Maori, the indigenous people of New Zealand had on his early work. He studied the dance rituals of Polynesia and the Australian Aborigines and became involved with film-making which was an ideal medium to express his ideas about motion.

His first film, Tusalava, (London ,1929), was a semi-abstract animated film influenced not only by modernism, in particular the Futurists that were doing similar experiments but also by the art of Samoa, the Maori and the aboriginal people of Australia where he had spent several years in the early 1920's.

I have not found a copy of the film with the original soundtrack which I believe is a Django Reindhardt tune. In fact I have played the video along with this tune and it is a perfect sync!