Showing posts with label Martin Sheen. Show all posts
Showing posts with label Martin Sheen. Show all posts

Thursday, April 24, 2014

Masters of Sex

While I was once again browsing Art of the Title for some inspiration for my title sequence (no Arturo, I'm not done yet) I stumbled upon the intro for Masters of Sex. Despite what you might think, the show is not a straight up porno, but rather a dramatization of the research done by William Masters and Virginia Johnson in the early sixties. So, yes, the show is about sex, but it's much more subtle and witty than the title would lead you to believe.

I haven't actually watched the show, but since it's on my - very long - list of things to watch, I thought I'd check out the title sequence. I was not disappointed. While the sequence doesn't give you a complete idea of what the show is actually about, what it does present you with is pretty hilarious. Without knowing the title of the show, a normal audience member might be tricked into thinking that they're just seeing a montage of stock footage: some animals, food, a bit of medical equipment. With the right mindset, however, it becomes...well...see for yourself. 

The sexual innuendos just keep coming. In an interview with Art of the Title, art director Leanne Dare of Elastic (the same company that does the title sequences for HBO's True Detective and Game of Thrones) said that the concept started with the question "how can we show sex without actually showing it?" and gradually grew from there. The answer to that question? Nailing the audience with a barrage of implied sex, from beavers to time-lapsed mushrooms to trains hurtling into tunnels. It's brilliant, really, and keeps with the general tone of the show. After realizing what they wanted to do with the title sequence, the creative team did what they do best and got - surprise - really creative. To see some really hilarious, really dirty gifs of rejected ideas (and to read the rest of the interview with Dare) head over to Art of the Title right here

The last bit of the sequence is pretty interesting as well: the two teenagers sitting on a bench. Dare explains that Masters and Johnson - the two scientists who studied sex in the 60s - broke up the Human Sexual Response Cycle into four stages: excitement, plateau, orgasmic, and resolution. If you look closely, that's exactly what the teens are doing at different points during the credits. First they meet. Then they hold hands. Then - woah, PG13 alert - they start to kiss. And finally, in a slightly sardonic turn of events, we see the girl smoking a cigarette while the boy sits, exhausted. What a nice way for the creators to slip in a little bit of science when you're least expecting it. 


What's that? You want one last, very appropriately timed gif? Well, ok. 

Friday, September 20, 2013

Richarg Greenberg and "The Dead Zone"

Richard Greenberg is a motion graphics designer based out of Chicago Illinois.  After getting degrees in industrial design and graphic design he taught for a number of years. He then created a short film entitled "Stop". "Stop" won first prize at the New York Film Festival Student Competition which led to him working under Pablo Ferro. Greenberg then started his own business and has sense created title sequences for Superman, Alien, Dirty Dancing, Death Becomes Her, and The Untouchables. His work is very polished and clean. In The Dead Zone in particular, he does this wonderful, mysterious, slow addition of black shapes in front of some video of a small town. It isn't until most of the way through the sequence that you realize it's the negative space of the title itself. I like this title sequence a lot, because you don't notice anything out of the ordinary immediately. When you first see it you're really only thinking about the peaceful scenery and the quaint town It's a really powerful juxtaposition then, to see "THE DEAD ZONE" spelled out using that same scene. It's simple and it says it all, this town. This beautiful town that everyone has been looking at for 2 minutes now has, with the help of Greenberg and the music become, "The Dead Zone". I really appreciate this fairly subtle imagery in part because it is something I don't see very often in modern movies.