Color Scripts in Animation

After taking the color grading minicourse a few weekends ago, I started to wonder how color correction and color grading played into traditional animation and how if might be different to the process that its used for live action films.  Color correction and grading are actually used quite frequently for animation in the same sense as live, to give the director more creative control on the final image and adjust each scene accordingly for the perfect emotional tone and to relate to the story.   In a sort of non-computerized form, animation films have their own version of Lookup Tables (LUTs) in the form of color scripts.  An LUT is essentially a way to modify the original image shot to the intended image to be displayed, and color scripts are sort of a way for animators to determine what kind color needs to be changed when the time comes for the process.  Color scripts are a way to map out the colors and saturation for each scene in order for the director to have a clearer vision of what the final product will look like, and possibly make more changes along the way.  Big-studio films like the works of Disney and Cloudy with a Chance of Meatballs use color scripts that are developed early on, and go hand-in-hand with the story development, as when some scenes change the emotion and color can change as well.

Color Script for The Incredibles shown above, mapping out each scene chronologically

Script for Cloudy with a Chance of Meatballs, providing a palette of colors above 

to correspond with the specific scenes, not necessarily in chronological order

As much as I still need to practice color correction and grading with live action first, I find the techniques for color in animation quite fascinating, it's essentially another kind of storyboard to develop in the preproduction process in order to have a more solid vision of your final product.  Definitely something I'd like to try on some of my projects in the future.

Captain Planet is a Mother Earther

WARNING, the following videos may contain language and images not suitable for children.Viewer Discretion is Advised.

Hello one, hello all! Welcome back to my weekly post, today we are making like Oreos because we are double-stuffed! That's right, it's double-Jeopardy, double-Whammy, double-trouble, and it's double the flavor, double the fun. What I'm trying to say is that I will be talking about two videos today and the theme is... CAPTAIN PLANET! (The title was a spoiler in itself and I apologize).

The first video is from one of Adult Swim's Best Shows Robot Chicken. The premise of the show is simple: Seth Green and Matthew Senreich play with toys and we watch the madness ensue. The clip below is from the second season episode titled "1987" and features media mogul Ted Turner turning into one of his beloved  characters he made, Captain Planet. The show is mostly done with stop-motion animation with the occasional use 3D animation, for example in the video Ted Turner a.k.a. Captain Planet ziplines from one building into another which would be extremely difficult to do in normal stop-motion so they use 3D animation to make it work. The show implements other visual effects such as title sequences and motion tracking.

Now onto our second clip. It's from FunnyOrDie.com and it features Don Cheadle as Captain Planet, if Captain Planet becomes mad with power and saving the world by turning every living thing into a plant such as a tree or a shrub. The first video (see below) was made over a year ago and since then its reached over 4.5 million views and now has a whole series devoted to an insane Captain Planet saving the world, one tree at a time. The series offers a number of visual effects, from transforming people into trees to Captain Planet's Iron Man-like hand blasts. Sadly FunnyOrDie doesn't list who does most of the visual effects but I was able to find that Trevor Durtschi worked on the series as a colourist who works with colour grading, the process of altering and enhancing the colour of a motion picture, video image, or still image either electronically, photo-chemically or digitally. They work with colour correction, masks, mattes, and motion tracking. The final episode of the series comes out tomorrow so look out for that, and for Captain Planet because he's watching you and will turn you into a TREE.