Showing posts with label Ben Radatz. Show all posts
Showing posts with label Ben Radatz. Show all posts

Monday, December 9, 2013

Opening Titles - The Kite Runner

This is a very simple but powerful opening-title sequence directed by Ben Radatz at MK12. It is really appealing to me because it is an example of a very economical approach to design that works very effectively. The title animation for Kite Runner presents the credits moving around space and being connected through moving brushstrokes that relate to the typography used throughout the piece. It is simple but nonetheless efficient and while being aesthetically pleasing it also clearly connects to the cultural theme of the film.


MK12 // The Kite Runner: Opening Title Sequence from MK12 on Vimeo.

I can see many of the things we learned in class being used in this piece; variations in opacity, camera movement and the general animation of the brush-strokes  and letters although extremely well crafted seems to be very straight-forward as to the way they could've been made, specially if using after effects. It is nice to see that as the semester went by and we kept exercising what we learned I can now look at some of these title-sequences and figure out how they were made and even try it by myself.

Friday, September 20, 2013

Ben Radatz making the king of cool cool again

Who is the coolest smooth operator of all film history well in my opinion it's james bond. But even though the emotional nostalgia that keeps me re watching Dr. No will have me eternally faithful to Sean Connery. Bond was reborn and he had to be cool again. One of the things i expect to see in every bond movie is an Awesome opening sequence. Designer Ben Radatz co founder of  MK12 a motion graphics and design collective produce my favorite bond sequence to date. Its a modern twist on the classic bond imagery silhouettes of  the secret agent poised ready to shoot. of course it has tons of sex appeal and is fluent with the background track  by alicia keys and jack white titled another way to die.


I love how the camera transitions to different scenes so seamlessly nd the combination of live action images and cgi is fabulous.